Technically, it is a computer program that I am continuously developing since I wrote its first version during my artistic residency in Berlin (February to July 2019). It has two core functions: a polyphonic synthesizer and a representation and notation environment. The latter is divided into two workspaces. One is comparable to the interface of a modular synthesizer, while the other is used for notation, representation and algorithmic processing.

Compositionally, it is about the development and organization of artistic production space and ultimately a specific operational space of my aesthetic practice. In the interplay of the different representations and the acoustic response always possible in real-time, dynamic-situational structural and experimental affordances emerge, among other things, with which I can deal in a groping-perceptive as well as strictly formalizing way.